First Single!!

Just a quick plug... The first ever official Dan Glover Band? single is now available to buy!! £1 on bandcamp now, or iTunes/Amazon usual pricing in a couple of weeks.

• Dan Glover Band? on bandcamp

OR if you are an emusic subscriber-

• Dan Glover Band? on emusic

Oooooh Vienna....

Good evening all...

Well, here I am, blogging from the other side of Europe. Lovely place, but I can't lie- struggling with the language/finding things to fill my life is. I miss all the friends and music at home. Having said that, being less busy has given me an opportunity to work on my own stuff, the end result of which will be RELEASED (like, a real single!!) in the next few weeks. Stay tuned!!

So, with little else to talk about, I think it's time to catch up on my favourite records of recent weeks...

Hugely overblown artwork? Lyrics concerning superpowers, "Eurasia" and the oddest conspiracy theories you've ever heard? A three-part symphony called "Exogenesis"? Yep, it could only be the noe-alt-prog-classic-rock extravaganza that is the new album The Resistance by Muse.

There are basically only two bands in the world that can make this level of OTT work, and the other are in the process of touring the world in a giant claw. But, as well as just being MASSIVE, this album has some genuinely beautiful, even heartbreaking moments. The (fully orchestrated, of course) "Symphony" is definitely the highlight, but the rest of the album is still way up there with the best of the year, if not the decade.

• Key tracks: "Resistance," "Undisclosed Desires" (LIVE VIDEO: slap bass, keytar and questionable lyric-remembering included!), "I Belong To You / Mon Cœur S'ouvre À Ta Voix"
• Best moment: Hmm, hard to decide. If I'm pushed, I have to be biased- the drum fill at 3:57 of "Exogenesis: Symphony Part 1 (Overture)"

A very different, but equally incredible record which I recently bought (on a great tip from this fellow blogger) is Sufjan Stevens' 2005 album Illinoise. Part of his ambitious (and as yet uncompleted) 50 states album project, this is an incredible work which, as with a lot of his material, manages to relate poetic writing about geographic locations with deep, spiritual insights into life, death, love and emotions.

However, the sheer breadth of musicality in his composition is incredible- mixing elements of acoustic, folk, indie, showtunes and orchestral music into an incredible finished product. I think notorious reviewer Robert Christgau puts it perfectly when he says "...this album radiates positive energy, and in today's alt, that's a precious thing."

• Key tracks: Personally, the opener "Concerning the UFO Sighting Near Highland, Illinois" is a favourite, along with "The Predatory Wasp of the Palisades Is Out to Get Us!" and "Come On! Feel The Illinoise!"
• Best moment: The beautiful counterpoint vocals in the gorgeous, cinematic bridge of "The Predatory Wasp."

So I hope some of you have enjoyed my ramblings for one day. Hopefully now we are settled in our new home, blogging can be a bit more frequent. Please leave me a comment and tell me what you think of these albums, or if you have anything that you think I need to listen to- I'm open to everything!! Almost.

The beat goes round and round...

I'm writing this in bed today. Sums it all up, really!

On Thursday I had a maths exam and then Carlops Jazz Band rehearsal in the evening, followed by a visit to the pub in honour of our singer's return from Arran. On Friday I was back to school, finishing some Music Technology coursework and being treated to Frank Zappa live in Barcelona. I was skeptical, but actually really enjoyed it- his band are uber-tight, phenomenally musical and supremely well-trained. Plus, Zappa's compositions and lyrics are like no other- hilarious, worrying and thought-provoking all in one. [So thanks, James!]

Then last night I went to see the Alyn Cosker Trio plus special guest Tommy Smith at The Lot in Edinburgh. Incidentally, this is the same venue where I saw the awesome calamateur only a few weeks ago. It's rapidly turning in to a favourite, actually- it's very intimate yet somehow still manages not to feel claustrophobic. But more importantly, the performance by the band was incredible... The energy was unbelievable, and watching Alyn Cosker behind the kit is something else- he plays his particular brand of raucous, guitar-based jazz-rock fusion with a raw energy and determination that just isn't often found in the jazz scene. If you ever get the chance, I would highly recommend this band.

This morning it was almost business as usual, forcing my wild music taste and shabby technique upon poor, innocent children. That is, teaching drums at home. Though in actual fact, only three of the usual eight turned up, but considering how mad the rest of the day was going to be, this was probably no bad thing.

Hasty lunch and off to rehearsal number one- Carlops Jazz Band. A miscommunication and general bad luck meant that I had no piano- just the Yamaha DX7. I feel very privileged to be a

ble to play one of these awesome instruments, but it definitely works better on top of a standard elect

ric piano as opposed to being the only comping

instrument. This, coupled with the unfamiliar venue, extra backing singers, hastily organised sound system (read: couldn't hear myself...) and general weekend madness meant that I definitely wasn't up to scratch. However, the set list for tomorrow's gig is pretty well known anyway, so it should be alright...

Anyway, 2 chaotic hours later me and Colin made a dash back to my house to pick up the drums before heading over to Broughton for a Biggar Big Band rehearsal. Being about three times the size of the Carlops band, the arrangements are more complex, but lack improvisation. About 30 seconds into the first number (Glenn Miller's Little Brown Jug), I realised how out of practise I was. Though I recovered, and seemed to get back into the swing of things (no pun intended), only to be caught off guard by the crazy Latin number Donut King [sweet, SWEET communal percussion solo in this one].

Then back home for an equally hasty dinner, teaching one more lesson, then settling down for an hour or so to practise all that BBB stuff I had forgotten how to play...

I also got a chance to play with some new live looping software today - AmbiLoop. Hopefully I will eventually post about this in more detail, and I'm hoping to use it in some solo gigs soon as well. So, all you techy types, keep 'em peeled!

Anyway, all in all, a good, music-filled day. It was great to play with the Biggar guys again, and I had forgotten how fun some of the rep was (Nou's Blue, Just A Gigolo, Donut King are my personal favourites). I would love to post links to videos and recordings of both CJB and BBB, but the sad fact of the matter is that there aren't any!! Maybe this needs sorting out.

But on the plus side, it gives me a good opportunity to plug some gigs:

May 24th (TOMORROW!) - Biggar Little Festival, Persilands

Carlops Jazz Band opening at 2.00pm, Biggar Big Band on later, Kings of Cheeze, Floozie Soo also playing.

Outdoor, barbecue, bar etc. Tickets £10 for the whole afternoon, kids free. Weather should be good!

Persilands farm outside Biggar. Map here.

May 30th, 7.30pm - 'The Amazing Carlops Jazz Band'

Our one and only 'residency,' this is usually the one gig where we sound good...

Tickets £5, kids free, from Rumbling Tams in West Linton.

Carlops Village Hall.

June 20th - 'Carlops Big Party'

Carlops Jazz Band, Dan Glover Band, Kings of Cheeze, Murray Campbell Xplosion, many, many more...

Free entry

Starting at 12.00pm in the Village Hall, then later moving down the road to the pub, for DGB, Bill Lumsden and others, then possibly back up to the hall for a Ceilidh. Should be a day of generally mad, musical, Carlops-style fun, possibly ending up with a bit of a jam session at the end. I know I can't wait! Also the first "official" performance by the Dan Glover Band. Like I haven't already told you this...

Anyway, sorry for the large amounts of "me" in this post, but hey, maybe someone will find it interesting. And what can I say - it makes me happy!

Farewell...

A quick, dirty, shameless plug.

So the new project/band/thing has a myspace: www.myspace.com/dangloverband and a youtube: www.youtube.com/dangloverband there is also one solo video up- me singing a new song, though it isn't quite the same without the rest of the band!

Note that I'm still not convinced about the name. Does it sound very egocentric or is it OK? Thought, please!!

Dan

Live music.

OK. You may not believe it. But I am about to write a real blog. Like, a real one. Wish me luck...

So I just got back from a "meeting" with a few guys from the neighbouring village who are organising a gig/mini-festival to take place in June. (The Carlops Big Party, 20th June, all afternoon/evening. Plug over.) They asked me, or more correctly, I managed to wangle for myself, a set for me and my band (apparently now known as The Dan Glover Band. Mixed feelings.) in the evening (7 'o' clock :P) in said pub. Can't wait. No idea who will be playing, no idea what we will play, fully aware that I only get back from Germany three days before, but still can't wait. [NB: Great local band Kings of Cheeze will also be playing - don't miss it!]

The last (and first!) gigs we did as a band were three 'cafe' sets at the Eastgate in Peebles, as part of their fifth birthday celebrations, and we had an interestingly mixed response. Allow me to explain.

The first day was just me switching between acoustic and piano, and Erin singing. We had some friends along, we played songs, people clapped politely in between, nothing special, nothing terrible.

The second day, though we played the same set, had exactly the same set-up, was different... For one, I broke a guitar string about halfway through the set so had to switch to piano, but it was more than that. There was no response- no-one clapped. At all. Now maybe I'm just being ungrateful, but it was kind of disconcerting to have such an incredibly different response to the same set, just the next day. Anyway, long story short, we packed up and left early. Partly embarassment, partly feeling uncomfortable, mostly because there were only so many guitar-based songs that can safely make the transition to solo piano accompaniment.

The last set we did was a Saturday morning. Same place, same set, same gear. A few minor differences: the place was reasonably full (I mean, like a whole 10 people...) and we had Katie playing the piano as well, plus some fans in the audience. But this time, right from the first song (a cover of Flume by Bon Iver, for anyone who cares), something just seemed to click. Everything just felt right. I even plucked up the courage to actually give a brief explanation/introduction to some songs, and I swear that there were even people clapping along at some points. Despite being so small-scale (OK, but in actual fact there were slightly more than 10 people there...), that has to go down as one of my favourite gigs ever. [Afterwards, we went for a celebratory (though short-lived) busking session, just because. Special mention to a Mr. Neil Costley from Edinburgh, who just so happened to have come down from Edinburgh to be our number one favourite customer. Cheers, man!]

Anyway, moving on to the real point(?), it makes me wonder- what gives a gig that special something? What are the ingredients for a good performance? 'Cos I don't think I know.

Maybe live music is an organic thing, maybe how "good" or "bad" a gig is can't really be controlled.

Or maybe it's not up to the performer to decide? Maybe the only people who really know if a gig is "good" or "bad" are the audience?

But then again, having played a fair few gigs myself, there are definitely some that go "right," and some that go "wrong." Playing jazz piano in CJB is a good example- some nights I can't do anything but read the chords- when it gets to my solo, the inspiration just isn't there. But then some nights (Arran!), ideas just come, seemingly without any effort on my part. I'm honestly not meaning to sound cocky, just trying to explain.

So if we define a 'good gig' as being one where 'inspiration flows,' what factors determine 'inspiration?' Surroundings? Rehearsal? Lack of self-consciousness? Mood? Luck? Who knows.

At the end of the day, I suppose that the beauty of music (live music in particular) is that it can't really be broken down into logical concepts.


So unfortunately, I don't think we will ever know exactly what makes a gig go well or not.


But luckily, I don't think we will ever know exactly what makes a gig go well or not.


I hope that makes some sense. Over and out.

-

P.S. I thought it might be nice to give you some interesting links to make up for all that nonsense... So here are three of my personal favourite live performances of all time. There are many more, but these are the only three I can think of right now... Enjoy!

• Rush - Tom Sawyer (Rio de Janeiro, 2002) This makes the list mostly because of the intro. And the riff. Neil Peart's virtuosic drumming perfection coupled with the tighter-than-tight band playing is the icing on the prog-rock-anthem-cake.
• U2 & "New Voices Of Freedom" Gospel Choir - Still Haven't Found What I'm Looking For (Madison Square Gardens, 1987) There is always something incredibly fearsome and special about a passionate gospel choir, but when they are singing a song like this, with this band, it is simply astonishing. I promise that this is the only time I will ever, EVER do this, but to quote a YouTube commenter: "If this does not move you, you might want to check and see if you still have a pulse" 'Nuff said.
• Bon Iver - For Emma, Forever Ago (A cappella) A bit of a hidden gem, in my opinion, I think this is the perfect example of an incredible combination of spontaneity, setting and, erm, singing (cringe...) Apparently this was the warm-up to the main "Blogotheque" gig, which is also well worth a watch. Stunning. [Hugely interesting article/background info on the Blogotheque website as well. You can thank me later...]